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Post by mfwilkie on Sept 29, 2009 21:20:05 GMT -5
When my father died my youngest sister climbed child-like onto the bed and held him as if her grief possessed the strength to revive what was too dear to be lost to us forever.
My mother was...composed,
shouldered with restrictions I would see her lose control of only once, one of those intractable moments when death-overs blot out the sun.
My middle sister sat stunned, unaware of the aura held tight in her hand.
This is what I saw, arriving too long after he left.
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Ron Buck (halfshell)
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Post by Ron Buck (halfshell) on Sept 30, 2009 7:54:16 GMT -5
Mags:
I like this mucho. I would wonder if clipping here and there would better suit your purpose:
for example:
When Father died my youngest sister climbed child-like onto the bed and held him as if grief possessed the strength to revive what was too dear to be lost forever.
i like the slant died/climbed opening,
and what about:
My mother was...composed;
shouldered with restrictions, I would see her lose control only once,
one intractable moment when death-overs blot out the sun.
little things to my ear that may not jibe with yours but may spark some thoughts at your end.
good stuff, no doubt about it.
tidings ron
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Post by Jonathan Morey Weiss-Namaste47 on Sept 30, 2009 11:57:07 GMT -5
I also like this, Maggie, especially the ending, and agree with Ron's tightening.
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Post by LeoVictorBriones (poetremains) on Oct 1, 2009 10:51:07 GMT -5
Maggie,
This is a brave subject and very nice title. The poem to me has three issues. One) it leads the reader by opening with…when my father died. This destroys the nice mystery that’s going on in the poem. Two) I think the tone is uneven by starting with the first stanza. I think starting with Mom is more powerful and interesting. Then you have a stanza with a nice image to lead. Three) what was too dear to be lost to us forever. That is way too telly…let the reader decide based on the emotion you are creating in the poem how dear your Dad is…we all have Dad’s we get it. I really like the image of her giving Pops the strength to revive. Sharon Olds has a similar story about her Mother on her deathbed. Then the poem is simply three images of the women. So to me the poem should read like this to add mystery:
My mother was composed, shouldered with restrictions
I would see her lose control only once, one of those intractable moments when death-overs blot the sun.
my youngest sister climbed child-like onto the bed and held him as if her grief possessed the strength to revive.
My middle sister sat stunned, unaware of the aura held tight in her hand.
This is what I saw, arriving too long after he left.
Nice poem.
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Post by Marion Poirier on Oct 1, 2009 12:14:35 GMT -5
Maggie, I like Leo's arrangement and reasons for beginning the poem with your mother's composure. I don't think you need to reiterate or explain since this is usually the norm for a mother to keep it together with her children watching. Also, the act of climbing on the bed is a child-like action in itself so it's clear without elaboration. Advise losing some of the (my) pronouns. I'd mention Dad in the second stanza and begin here:
I would see Mom lose control only once, one of those intractable moments when death-overs blot the sun.
My youngest sister climbed on the bed and held Dad as if her grief possessed the strength to revive.
A poem that evokes the emotions - many can relate on different levels. I am sorry for your loss.
M
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Ron Buck (halfshell)
EP Gold 750 Posts Plus
EP Word Master and Published Member
-------- ecce signum --------- ------ behold the proof ------
Posts: 988
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Post by Ron Buck (halfshell) on Oct 1, 2009 13:09:24 GMT -5
Mags:
both leo and marion make good points... but I have to say I don't agree. There is a gentle place established from the outset. the sense of grief from the inevitable, the sense of disbelief, and the sense of longing and helplessness all come from the opening moment and the trail that follows. You have a balance of both worlds with all divulged simply. That is what's masterful here. I think reversing it takes that presence away.
But most of all there is something unpolished almost a wavering that makes this poem live closer to home, and that is something most rare.
tidings ron
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Post by ramadevi on Oct 8, 2009 6:17:49 GMT -5
Hi MAGGIE.
I like this too (and sorry for your loss)
I agree with Ron- as he aptly said-
"both leo and marion make good points... but I have to say I don't agree. There is a gentle place established from the outset. the sense of grief from the inevitable, the sense of disbelief, and the sense of longing and helplessness all come from the opening moment and the trail that follows. You have a balance of both worlds with all divulged simply. That is what's masterful here. I think reversing it takes that presence away."
The rawness of this makes it genuine. Fine work.
Warmly, rd
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Post by purplejacket on Oct 13, 2009 19:39:52 GMT -5
I think Leo said what I would have said if I were better at reviewing poems.
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Post by wavemaker9 (Rick D.) on Oct 15, 2009 11:35:55 GMT -5
I think you're all awesome. Maggie, leave it. The tone was set by your heart. Don't change it. Rick
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Post by mfwilkie on Oct 17, 2009 11:26:16 GMT -5
Thanks much, you guys. Mags
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