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Post by Jo Lynn Ehnes on Oct 26, 2007 12:02:00 GMT -5
I know you think I've given up on rhyme and meter. I'm actually working on a combo piece of free verse and this sonnet but the free verse part needs some work. Piper is helping me with that but thought I'd throw this sonnet portion at you. In the free verse intro it brings in the fact that he drives for a living, thus the couplet would make sense.
If for one fleeting moment I could bring this dream alive, I know he’d find belief and rise above the paralyzing sting, from one who procreated tears of grief. If only for one day he’d hold my hand; let fingers gently speak while intertwined, I know he’d feel the warmth, he’d understand that she and I are not the same design. But he is on a different road in life, and though I know he sees I make him whole, he can’t get past her hate-filled butcher’s knife or how it's maimed his once audacious soul. So there he hides behind that shield on wheels, afraid of my heart’s cry and how love feels.
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Post by David Nelson Bradsher on Oct 26, 2007 22:41:31 GMT -5
If for one fleeting moment I could bring this dream alive, I know he’d find(reach?) belief and rise above the paralyzing sting, from one who procreated tears of grief. If only for one day he’d hold my hand;(If only for a day...) let fingers gently speak while intertwined,(let fingers speak while gently intertwined) (just for a change, jl) I know he’d feel the warmth,( he’d understand that she and I are not the same design. ...(she and I are not of one design) But he is on a different road in life, and though I know he sees I make him whole, he can’t get past her hate-filled butcher’s(butcher) knife or(and) how it's maimed his once audacious soul. So(,) there he hides behind that shield on wheels, afraid of my heart’s cry and how love feels. Glad to see it, JL, and you haven't lost your touch. A few first thoughts above. Too tired to do much, but I'll come back to it.
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Post by mfwilkie on Oct 27, 2007 2:12:31 GMT -5
I really like your opening, JL.
Couple of thoughts:
I think relief might be a better choice than belief because you talk about 'a paralyzing sting'; one would seek relief from a sting, not belief.
If for one fleeting moment I could bring this dream alive, I know he’d find relief and rise above the paralyzing sting, from one who procreated tears of grief.
If only for one day he’d hold my hand; One day, just one whole day, hand in hand, let fingers gently speak while intertwined, our fingers touching, speaking, intertwined,
I know he’d feel my truththe warmth, he’d and understand
Nice, nice, nice!!!!
Mags
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Post by David Nelson Bradsher on Oct 27, 2007 8:03:49 GMT -5
I agree with Maggie on "relief", JL. Good call, Mags.
However, her suggestion for L5 is out of meter.
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Post by Jo Lynn Ehnes on Oct 27, 2007 8:08:20 GMT -5
Actually both of you gave great suggestions. This one is in such a rough draft mode that all will be considered and quite a few implemented probably. Piper thinks I need to try for more enjabment in there but I'm so rusty this one might not be the one for that game.
Yeah I caught that was out of meter immediately. But it's a good thought, something like
If only for a day walk hand in hand
or something along where her thought is.
Actually my trucker quit his job yesterday so I might not be around too much this weekend to play with it, actually get to spend some time perhaps with the man. He's been on the road for almost two months straight.
Thanks you guys for all your help, much appreciated.
Love ya, JL
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GD Martin
EP 250 Posts Plus
It is 11 April 2015, and I am standing here in the silence.
Posts: 400
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Post by GD Martin on Oct 30, 2007 4:12:28 GMT -5
JL, Yesterday, I had displayed a flattering couple paragraphs as a reply to your sonnet, but I deleted it today because it sounded too gushing; however, I am certain that other poets can trust my judgment when I offer them an occasional suggestion, or two. Please trust me that on L11, "butcher" looks, sounds, and reads better than "butcher's".
Now, raising this thread one half-step in key, it is my solid opinion that your final two lines do everything that a sonnet's final two lines are intended to do; at least it does it for me (flattery spoken in a non gushing manner, preceded by constructive criticism). _GD
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Post by ramadevi on Dec 23, 2007 11:35:33 GMT -5
This is a very good, JL... The closing couplet is a great ending note. The opening line successfully draws one into the poem and the story it tells.
I agree on the points about Relief replacing "Belief" and Butcher rather than "butcher's"
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Post by ramadevi on Dec 23, 2007 11:39:59 GMT -5
This is a very good, JL... The closing couplet is a great ending note. The opening line successfully draws one into the poem and the story it tells.
I agree on the points about Relief replacing "Belief" and Butcher rather than "butcher's"
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