alfredo
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Posts: 340
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Post by alfredo on Jan 23, 2008 22:50:23 GMT -5
droplets here and there gather on each leaf until enough, then they run amuck.
soon the mist is here while the distance is not; everything you view is close but distant; and noises no longer carry - like when it snows.
later, white clouds drag across the Brisbane blue billowing into snowy mountains, before they concentrate and darken to touch the line sharp below.
Before
Falling mist merges with the damp lifting off leaves and grass. bringing droplets here and there to gather on each leaf until enough and then they run amuck.
Soon the mist is here and the distance is not and everything you view is close but distant. And the noises are near without carrying, like it is when it snows.
Later, white clouds drag across the Brisbane blue turning cotton to billowing snowy mountains, before they concentrate and darken to touch the line sharp below.
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Post by Ron Wallace (Scotshawk) on Jan 24, 2008 20:58:08 GMT -5
Okay, I've probably just massacred a fine poem, but I think you've got a gem inside this. The whole second stanza detracts form some fine images, in my far less than expert opinion. I'd pare this jewel down to the suggestions below, but I may have shredded your voice. If so your understanding of your own work far supercedes mine so feel free to loosen the girthstrap on my saddle and I'll just let the horse kick me in the head. I really like the images you have here, especially the "Brisbane blue". Ron
Now the falling mist merges with the lifting damp
that riseslifting off the leaves and grass.
Its wispiness slips among the trees bringing small droplets here and there to gather on each leaf until enough and then they run amuck.
Soon the mist is here and the distance is not and everything you view is close but distant. And the noises are near without carrying, like it is when it snows.
But later,
light, white clouds drag across the sticky Brisbane blue turning slowly to cotton wool puffs;
to billowing into snowy mountains{,}
Far belowbefore they concentrate and darken gloomily, to touch the line that's now sharp below.
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alfredo
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Posts: 340
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Post by alfredo on Jan 24, 2008 23:04:57 GMT -5
my initial reaction is ...you make me laugh ...with your polite comments. I will look closely at your changes later.........many thanks
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alfredo
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Posts: 340
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Post by alfredo on Jan 24, 2008 23:47:47 GMT -5
Ron, I’ve galloped though your changes but the middle stanza sticks to my saddle like a rodeo rider. Are you sure I should take a Smith and Weston to Signed The man Snowy River, Australia.
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Post by Ron Wallace (Scotshawk) on Jan 25, 2008 0:41:28 GMT -5
I thought that second stanza might hold on, and it's likely just my reading. Give me time for a few more reads, and let a few others weigh in possibly before opening fire. Always trust your own voice the most. Ron
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Post by ramadevi on Jan 25, 2008 8:10:25 GMT -5
I like the second stanza, and i think this poem is tremendously improved with teh eidts you ve made. Pruning to perfection is a great thing.
the tone and imagery communicate a lot, but i would love to see a few lines of personal reference thrown in. the poem focuses on the external scenery but does not project much of the internal response to the scenery. Just a thought.
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alfredo
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Posts: 340
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Post by alfredo on Feb 6, 2009 4:14:12 GMT -5
This is a revisit/revision/pairing taking into account some of Ron’s excellent suggestions.
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