Post by LynnDoiron on Jul 10, 2008 16:31:20 GMT -5
[friends -- I subscribe and recieve a weekly blurb and poem via this american life in poetry and wanted to share what arrived today because senryu form is mentioned. -- enjoy! oh, and the subscription to ALP is free and the poems each week, delightful. in other words -- sign up!]
Welcome to American Life in Poetry. For information on permissions and usage, or to download a PDF version of the column, visit www.americanlifeinpoetry.org.
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American Life in Poetry: Column 172
BY TED KOOSER, U.S. POET LAUREATE, 2004-2006
I don't often talk about poetic forms in this column, thinking that most of my readers aren't interested in how the clock works and would rather be given the time. But the following poem by Veronica Patterson of Colorado has a subtitle referring to a form, the senryu, and I thought it might be helpful to mention that the senryu is a Japanese form similar to haiku but dealing with people rather than nature. There; enough said. Now you can forget the form and enjoy the poem, which is a beautiful sketch of a marriage.
Marry Me
a senryu sequence
when I come late to bed
I move your leg flung over my side--
that warm gate
nights you're not here
I inch toward the middle
of this boat, balancing
when I turn over in sleep
you turn, I turn, you turn,
I turn, you
some nights you tug the edge
of my pillow under your cheek,
look in my dream
pulling the white sheet
over your bare shoulder
I marry you again
American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2000 by Veronica Patterson, whose most recent book of poetry is "This Is the Strange Part," Pudding House Publications, 2002. Poem reprinted from "Swan, What Shores?" New York University Press, 2000, by permission of Veronica Patterson and New York University Press. Introduction copyright (c) 2008 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
Welcome to American Life in Poetry. For information on permissions and usage, or to download a PDF version of the column, visit www.americanlifeinpoetry.org.
******************************
American Life in Poetry: Column 172
BY TED KOOSER, U.S. POET LAUREATE, 2004-2006
I don't often talk about poetic forms in this column, thinking that most of my readers aren't interested in how the clock works and would rather be given the time. But the following poem by Veronica Patterson of Colorado has a subtitle referring to a form, the senryu, and I thought it might be helpful to mention that the senryu is a Japanese form similar to haiku but dealing with people rather than nature. There; enough said. Now you can forget the form and enjoy the poem, which is a beautiful sketch of a marriage.
Marry Me
a senryu sequence
when I come late to bed
I move your leg flung over my side--
that warm gate
nights you're not here
I inch toward the middle
of this boat, balancing
when I turn over in sleep
you turn, I turn, you turn,
I turn, you
some nights you tug the edge
of my pillow under your cheek,
look in my dream
pulling the white sheet
over your bare shoulder
I marry you again
American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2000 by Veronica Patterson, whose most recent book of poetry is "This Is the Strange Part," Pudding House Publications, 2002. Poem reprinted from "Swan, What Shores?" New York University Press, 2000, by permission of Veronica Patterson and New York University Press. Introduction copyright (c) 2008 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
